With Our Mini Course
10 DAYS STORYWRITER is mini course that will teach you new efficient approach to writing stories for films.
The story is by far the most important element of any film. It’s the only part of a movie that you cannot afford to do wrong. The audience can be forgiving about other mistakes, like directing ones, but never forgives a story mistake.
The basic building blocks od every film story are:
1. THE THREE ACT STRUCTURE
2. THE CHARACTER ARCS.
The structure and the characters interlace as they are firmly connected – the story develops through the characters and the characters develop through the story. You have to write both in paralel fashion.
You will learn how to build the three act structure and the character arcs by using the 3 single most important tools for screenwriting:
1. CONFLICTS
2. CONTRASTS
3. TWISTS.
The total duration of the mini course is 1 hour, divided into three 20 minute parts, each one concentrated on the above items. Telling you only what is important and useful, so that you don’t waste time on unnecessary details.
All from a different perspective you have never been told before.
This course will give you fast results and save you time.
Everything that you learn here you will apply directly on your work, regardless if you already have something written, or you don’t have anything.
Watch it, understand it, and apply it. Everything in 10 days.
This course helped me understand the essential connection between structure and character development in a way that finally made sense. Focused tools like conflict and twists was super. I applied them to a short film script I had stalled on, and it completely unlocked the story.
Javier L.
I was surprised how fast and to the point the course was—just the important stuff. The idea of writing both story and character arcs in parallel really changed my approach. For the price, it’s easily one of the most useful writing tools I’ve come found.
Alex R.
I was sceptical about a 1-hour course, but this one packed true insight into each act’s function and purpose. The emphasis on character conflict gave my writing more depth. I started applying the lessons, and my scenes became much stronger.
Arjun P.
THE MINI COURSE
The mini course 10 DAYS STORYWRITER consists of 3 parts, each part with duration of 20 minutes. Every part is dedicated to one of the three acts, as basic building block of every film:
1. THE FIRST ACT
The Purpose and Function of the First Act in the Film Story
External Conflicts
How to Use External Conflicts in the Building of the First Act
Relationship Conflicts
What Are Relationship Conflicts and How to Apply Them in the First Act
Internal Character Conflicts
Development of Internal Character Conflicts in the First Act, thus Beginning the Character Arcs
Story Contrasts
What Are Story Contrasts and How to Use Them in the First Act
Twists
How the Twists Move the Action Forward
2. THE SECOND ACT
The meaning of the Second Act in a film story
The SECOND ACT needs to be in CONTRAST and OPPOSITION to the first act
External Conflicts
How Do the External Conflicts Change Their Shape, Content and Paste in the Second Act
Relationship Conflicts
Introducing Further Relationship Conflicts and How to Work with Them in the Second Act
Internal Character Conflicts
The Contrasting Continuation of the Internal Character Conflicts in the Second Act
Story Contrasts
How to Use Different Types of Story Contrasts in the Second Act
Twists
More Twists to Move the Action Forward and Make it Unpredictable
3. THE THIRD ACT
How does the Third Act work in a film story
The THIRD ACT needs to be in CONTRAST and OPPOSITION to both first and the second act
External Conflicts
Different modes, contents and shapes of the External Conflicts in the Third Act
Relationship Conflicts
Developing the Arcs of the Relationship Conflicts in the Third Act
Internal Character Conflicts
The Culmination of the Internal Character Conflicts in the Third Act
Story Contrasts
Types of Story Contrasts that Are Specifics for the Third Act
Twists
Examples of Twists that Engage and Increase the Action Forward at Double Paste
Order now! If you order in the next 24 hours you will get FREE check list of all the ingredients you need to write a good film story.
In the unlikely case that you will not recognise the value of the 3 POWERFUL concepts, give us en email, you will get full refund, no questions asked.
YOUR PROBLEM
Don’t know how to write a film story?
Can’t afford film school?
Tired of watching endless videos that don’t give you any results?
Don’t know if your writing is good enough?
Out of inspiration or motivation to write?
You believe you are not talented?
If the answer to the above questions is YES, that means you are still working by the old way.
THE OLD WAY
I am here to tell you that:
You DON’T need film school to write stories and screenplays.
You DON’T need to watch endless videos that give you very little and don’t actually move you forward.
You DON’T need a writing talent. Yes, you red it correctly, you DON’T need a writing talent, you only need the right method.
You DON’T need an inspiration on what to write, you just need to take from the richness of the life itself.
Motivation? When you learn this simple steps how to write, your motivation will come naturally.
THE NEW WAY
All you need is to understand the POWERFULL concepts of CONFLICTS, CONTRASTS AND TWISTS.
Those concepts have the POWER to transform every boring story into interesting one.
They have the POWER to transform every boring and unattractive character into a charismatic and engaging one.
They have the POWER to make the audience look forward to the next scene.
They have the POWER to make the audience NOT wanting the film to end.
ALL you need to do is to UNDERSTAND those concepts in the right way.
Than you need to apply those concepts on every single act you are writing.
And you also need to apply those concepts on every single character arc you are writing.
These 3 powerful concepts will transform every single part of your story into INTERESTING, ENGAGING and THRILLING one.
Then the STORY ARC will emerge on the basis of those concepts.
The CHARACTER ARCS will also emerge on the basis of those concepts.
These 3 concepts are your TOOLS that will guide you how to write your story.
They will guide you when you don’t know what to write about.
They will guide you how to select the material you use for writing.
They will show you how to evaluate your own stories.
You will not need anybody else to tell you if it is good or not, you will KNOW it by your self.
That will give you CONFIDENCE to write.
They will also give you confidence to PRESENT and defend your screenplay in front of film agents, directors and producers.
THE PROOF
So if this concept is really so good, how come nobody came up with it before?
Are we the first ones to come up with this?
Of course NOT!
This concept is older than the writing itself. It can be traced back to Aristotle, some 350 years BC. He describes it in his book Poetics, which has around 50 pages.
It has been the basis of playwrighting and then screenwriting ever since!
We just polished it, made it understandable and applied it to films.
So if those 50 pages are enough, why do people go to study 4 of 5 years of screenwriting? Does it really take that long?
Of course it does NOT take that long! But how would film schools make their money, if they tell you everything you need to know in one single semester??
So they need to somehow stretch that knowledge, make it aperar more complicated and more intelectual than it actually is.
But don’t take our word for it. Let’s see what the famous screenwriters have to say.
How many famous screenwriters have NOT studied film school. Let’s see: Stanley Kubrick, Quentin Tarantino, Steven Speilberg, Ridley Scott, The Wachowskis, James Cameron, Peter Jackson, Christopher Nolan, Akira Kurosawa, the Cohen brothers,…
To name only few. And the list goes on…
Those people are major successful screenwriters. They are the PROVE that you don’t need film school to write good screenplays.
“Oh sure”, you will say, “but surely they must have big talent!” Well, let’s see if it is about talent.
We actually analysed most of their film stories. And we found that they all have few things in common. Guess what? Yes, (almost) every act and scene in their movies contains CONFLICTS, CONTRASTS and TWISTS! is that only a coincidence? We definitely don’t thing so.
I myself have studied two film schools. One bachelor and the other one master. One day, one of the professors told us: “Every story arc and every movie scene needs to have CONFLICT! If it doesn’t, don’t even bother presenting your screenplays to me!” That was the moment it clicked for me. It made everything very clear and simple.
Than another one said: “You need to think through CONTRASTS! Find the CONTRAST in every story and scene!” So the big picture for me started to emerge.
The TWISTS came out of the need of constant change of action in every story. They are essential to driving the film forward.
So you have a CHOISE. You can just seat there and blame the talent for their success and keep finding excuses why you don’t write good enough your self.
Or you can try out those 3 POWERFULL concepts for yourself, and judge for yourself!
All packed in 10 DAYS STORYWRITER mini course.
For the no brainer price of $7!
With a life time guarantee!
What have you got to lose?
GUARANTEE
The course comes with a money back guarantee within the first week.
If you see the course not fitting for you, just email us, and we will give your money back, no questions asked.
ONLY FOR THE FASTEST: if you buy the course within the next 24 hours, you will also get FREE check lists, of everything you need to have in your screenplay, in order for it to be INTERESTING and ENGAGING.
FAQs
- Do I need specialised software for writing stories or screenplays?
While it is helpful, it is definitely NOT necessary. You can write perfectly good screenplays only in Microsoft Word or Google Docs. Remember those successful screenwriters? Did they have fancy software in their careers? Most of them NOT.
- What do I need to watch this course?
An OPEN mind, just 1 hour free time, a computer, internet connection, pen and paper for taking notes.
Are the payments secure?
All payments go though Stripe, which is third party secure payments provider. We don’t have any access to your credit card numbers.
- Will I get my money back if I don’t like it?
Of course! Just give us an email and will wire your money back. But we are fairly sure you will like it 🙂